Die Happy

"Paint as you like and die happy." -Henry Miller

SHAHZIA SIKANDER
B.1969

SHAHZIA SIKANDER
B.1969

Ikenaga Yasunari

Ikenaga Yasunari

chicanoartmovement:

For more information on the show please visit www.katherineconegallery.com. Katherine Cone Gallery is located at 2673 South La Cienega Blvd, Los Angeles, California 90034. Gallery hours are Tuesday through Saturday 11-6pm. For inquiries please contact info@katherineconegallery.com.

chicanoartmovement:

For more information on the show please visit www.katherineconegallery.com. Katherine Cone Gallery is located at 2673 South La Cienega Blvd, Los Angeles, California 90034. Gallery hours are Tuesday through Saturday 11-6pm. For inquiries please contact info@katherineconegallery.com.

Charles Weed, Danish Chimney Sweep,  2008, oil on panel, 40x30cm

Charles Weed, Danish Chimney Sweep,  2008, oil on panel, 40x30cm

Charles Weed
Oak and Beech40 x 60 cm, 2010, oil on canvas

Charles Weed

Oak and Beech
40 x 60 cm, 2010, oil on canvas

theparisreview:



There is St. Ignatius ChurchThere is Point BonitaThere is a bug like a wasp    its giant antennae    flail and thwack the concrete in its pathFennel green and yellow laceGreat moss rose a flowery shaving-brushYou’re the only creature I really loveAside from Mama and my Teddy bearI never miss you until I think of youNow you love lots more than INo matter how often we meet you never see meI’ve become an old manSoon I’ll be keeping cats and goldfishA large photo album of the days when I was middle-agedIn love with you and expecting immortal fame.—Philip Whalen, “Labor Day 6:IX:65”Art Credit Meghan Howland

theparisreview:

There is St. Ignatius Church
There is Point Bonita
There is a bug like a wasp
    its giant antennae
    flail and thwack the concrete in its path

Fennel green and yellow lace
Great moss rose a flowery shaving-brush

You’re the only creature I really love
Aside from Mama and my Teddy bear
I never miss you until I think of you
Now you love lots more than I
No matter how often we meet you never see me

I’ve become an old man
Soon I’ll be keeping cats and goldfish
A large photo album of the days when I was middle-aged
In love with you and expecting immortal fame.

Philip Whalen, “Labor Day 6:IX:65”
Art Credit Meghan Howland

Susanna Heller, Lost in Thought, 2013. Oil on canvas, 50″x33″

Susanna Heller, Lost in Thought, 2013. Oil on canvas, 50″x33″

Sydney Yeager, Early Spring, oil on linen, 60x60in, 2012

Sydney Yeager, Early Spring, oil on linen, 60x60in, 2012

Laurie Fendrich
An Honest Stupid Soul, 2010
Oil on canvas
36 x 30 inches

Laurie Fendrich

An Honest Stupid Soul, 2010

Oil on canvas

36 x 30 inches

I can look back at the way I thought and felt even as a little kid and there was a lot of wonder there, and openness to the many sides of life—the way that beauty and ugliness co-present, for example, or the way that tragedy might be enshrouded in something really funny, or vice versa—and I feel like I’ve only barely scratched the surface so far in what I’ve been able to write.

—George Saunders in a terrific Slate interview with his Random House editor, Andy Ward (via emilylouisesmith)

Slaughterhouse Fechin

Slaughterhouse Fechin

Kara Walker
The moral arc of history ideally bends towards justice but just as soon as not curves back around toward barbarism, sadism, and unrestrained chaos (2010).
graphite and pastel on paper, 6x9.5 feet

Kara Walker

The moral arc of history ideally bends towards justice but just as soon as not curves back around toward barbarism, sadism, and unrestrained chaos (2010).

graphite and pastel on paper, 6x9.5 feet